looks to art as a traditionally male dominated canon. She is interested in subverting the historical voice that has shaped our stories and art – and in making work from a female perspective that is complex, multifaceted and often disrupted. In her recent work, landscapes are uncomfortable, sometimes fragmented, unwelcoming. Trees are Daphnes transforming, pareidolic Greek choruses – or formal structures imposed upon natural growth, such as an espalier tree. Download CV